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What happens on the fourth day?

What happens on the fourth day?


  • “Too much of a good thing can be absolutely wonderful.”

    Marvel’s The Avengers blew my head off.  Best to get that right out of the way.  It took images that had been percolating around in my brain since age nine, transferred them directly to the big screen, no apologies, no substitutions, no holding back.

     

    And it blew my head clean off.

     

    But that’s okay!  It’s such a great film that it then built me a new, better head to take its place.

     

    I’m not sure, but I may now have X-ray vision!

     

    Ah, The Avengers.  A concept that worked so well in comics, but took five films before the movie was properly set up.  And I must admit, I had my doubts.  Was Joss Whedon ultimately too snarky, to geekishly rare a taste as director and screenwriter?  Would the fact that such wildly different protagonists actually make very little sense as a team prevent the story from taking off?

     

    Was it actually Scarlett Jo’s choice to spend Iron Man 2 not actually -in- Iron Man 2?

    Earth's Mightiest Box Office Draw

     

    Turns out I need not have worried.  Everyone is given an arc to follow through during the film.  Every character gets at least one juicy scene to demonstrate what makes them a great character.  No action is wasted.  No question is left unaddressed.

     

    That said, is it a great film?

     

    Hmm.  While only time can test the greatness of a film, I have to say it’s been a long, long time since a big budget summer popcorn flick struck me as being so gut level enjoyable as this film is.  You will laugh, the jokes -are- that funny.  You will thrill, the action and FX -are- that great.

     

    You will get choked up.  The emotional character moments -do- deliver.

     

    Mainstream audiences should be sold.

     

    But it’s with the dedicated fans that this film will really and truly resonate.  Whedon, a fan himself, realizes our expectations.  So he goes out of his way to deliver them.

     

    You say you want Loki to be a big, scary, cosmic trickster, an actual threat, but still sympathetic?  We get that.

     

    You say you want the Black Widow to prove that she’s first and foremost the greatest spy living?  We get that.

     

    You want Captain America to be more than just a man out of time, you want to see him realize his destiny as the leader in body and spirit of the super-hero set?  The paragon of virtue who kicks butt yet still tenderly cares for the innocent?

     

    My word, we get that.  Chris Evans is wonderful.

     

    You say you want a Hulk who allows us to feel Bruce Banner’s isolation and pain, but also allows us the earthier thrills of seeing an unstoppable force smash all in its path?

    Mark Ruffalo not only brings us that, he very nearly steals the final 45 minutes of the movie.

    You say you want a classic Avengers romp with all the trimmings, but still accessible to outsiders?

     

    Well then, folks, this film is the film your inner child never dared to hope it’d ever have.  It’s nothing less than a miracle Marvel managed to pull this off, after three pretty good films, two flawed but entertaining films, and one disposable placeholder.

     

    And it’s proven to me this:  Nothing is off the table anymore.  The entire Marvel universe beckons, and the utter insanity of the climax only hints at the wonders in store.

     

    Death loving purple cosmic nihilists!  Raccoons toting guns!  Sentient plants!  SQUIRREL GIRL!

     

    It’s all open to us now.  And, with luck, Earth’s Mightiest Heroes will be there to guide and protect us for many years more.

     

    Can they all join in the sequel? Too soon?

     

     

    *******

     

    Review by John Ellis


  • Second Annual Video Game Unis – Recap

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    The Second Annual Uni Awards are half over.  We’ve had the Movie and Video Game Editions now.  Next up is the Literature Edition, which will air the second week of July.  For the next month, you’ll be able to make suggestions on who should win for categories such as Best Urban Fantasy Novel, Best Sci-fi Mystery, Best Horror Novel, Best Original Graphic Novel, etc.  Check out last year’s show to see what kind of categories there will be this year.  You can send suggestions to smonteith@fourthdayuniverse.com.  The ballots will appear on this site within the next few weeks.

     

    This last Monday, the super-villainess Tida continued her reign over the Second Annual Uni Awards, with Fourth-day founder as her hostage.  Various prisoners from the Movie Edition had managed to escape, but others had been captured in their stead.  And we learned the fate of the superheroine Libra.  A day of reckoning is coming, for Tida, her partners in crime, for the Galactic Alliance of Superheroes (GAS), and the entire Uni Awards series.  Expect an explosive confrontation after the Television Edition later this year, when we hold a special edition of the Uni Awards:  the Apocalypse Edition.

     
    This being only our second awards seasons, there weren’t that many categories to cover at the Video Game Unis.  Portal 2 and The Elder Scrolls V: Skyrim had the best nights, but fans also turned out to show support for Batman: Arkham City and other games.  You can watch the whole awards show here:

     

     


  • Wrath of the Titans, Game of Thrones-style

    Following the success of the immensely popular and Uni Award-winning Game of Thrones television series, many have speculated about what the next great epic fantasy to be adapted for the small screen will be. While I personally would love to see The Belgariad and Malloreon novels on either the small or big screen, I think the next great epic should be about the Greek Titans. Depending on which movies you’ve been watching, you probably think the Titans are either giant sea monsters, personifications of the elements, or a scrappy high school football team with a lot to teach us.  Actually, it’s far more interesting than any of that.

     

    Everyone has heard of the Greek Gods by now, also known as the Olympians.  Zeus, King of the Gods, Hades, God of the Underworld, Ares, the God of War, etc., are all practically household names.  But there was another race of gods that came before the Olympians known as the Titans.  The main one was called Cronus, and he was actually the father of many of the Olympians, including Zeus, Hades, and Poseidon, the God of the Sea.  The recent film Wrath of the Titans, which we reviewed last month, touched a little bit on how the three brothers overthrew their father and established a new order of gods.  It also teased a released Cronus waging war on his sons and taking over the world.  Unfortunately, we didn’t get to see much of Cronus, and we heard even less from him.  And he was the only Titan featured in the film.  There were so many of them from which to choose, too.

     

    You may not have heard many of the Titans’ names before, but you’ve probably heard of some of their family members.  In addition to the Olympians, Atlas and Prometheus (who are actually brothers) are sons of Titans, and both were punished by the Olympians.  Atlas, of course, is forced to hold up the sky for the rest of his days.  Prometheus, who stole fire from the Gods gave it to Man, is bound to a rock and tortured by vultures for eternity.  Hecate, whom some of our readers may know as the Goddess of witchcraft and magic, is actually the daughter of Perses, the Titan of Destruction.  And the Nine Muses are all daughters of the Titan Mnemosyne.  So you see, the Titans don’t just exist as a backstory for Zeus and company.  They have a profound connection to the whole of Greek mythology; and their feud with the Olympians has the potential not only for battle, but for intrigue, betrayal, scheming, plotting, and, of course, revenge.  Not only would the show be about two (or more) rulers and their followers struggling for dominance, but it would include their families and various mystical creatures in conflicts spread across amazing and brutal lands of fantasy and adventure.

     

    Sound familiar?

     

    In other words, it’s the literary and mythological ancestor to the Game of Thrones saga; which makes it the perfect televised successor to it, as well.  My main criticism of the Wrath of the Titans movie, aside from not featuring more Titans, was that it offered far too little in the area of character development.  A television series, on the other hand, could properly introduce and flesh out every Titan and Olympian, and their human and half-human followers.  The potential for doing so is, if you’ll pardon the term, titanic.  So much of their lore and history is unwritten, and so many Titans exist in name only, just waiting for someone to bring them to life.  Any number of modern-day fantasy authors would leap at the chance to write about a war between gods of legend.  Several already have, in fact, with sci-fi authors Greg Bear, John C. Wright, and, of course, Rick Riordan resurrecting them for their own novels.

     

    More than just the potential for a fantastic plot and intriguing characters exists in a Wrath of the Titans television show.  One of the main draws of epic fantasy, an element that truly sets it apart, is that it so often takes place on another world, one where not only do gods exist, but where centaurs run and dragons fly, where magic and myth are as real and commonplace as anything in our world.  Those aren’t the most important elements, of course, but they do give it an extra sense of wonder; a signature element, an accent to stories that, perhaps, we think we’ve already heard.  GoT takes place on the fictional continents of Westeros and Essos.  The Lord of the Rings saga and related works are set mainly in Middle Earth and surrounding lands and territories.  While Greek mythology is mainly set in Greece and thereabouts, many stories also take place in such fantastic kingdoms as Mount Olympus, where Zeus and his family of gods live; or in the underworld known as Tartarus, where the Hades rules and the Titans are imprisoned.  Like in the Harry Potter series, this show could blend fictional settings with actual (historical) ones.  Perhaps some of the action could take place in other lands, as well, since Romans also worshipped Greek gods and demigods (albeit under different names).  The Romans did add their own contributions to the lore of Zeus and the other gods, after all, even if they did refer to him as Jupiter, and sometimes Jove.

     

    Like I said, there is so much potential to a Wrath of the Titans television series.  It could be so phenomenal, especially with the right cast and crew working on it.  Game of Thrones has proven that it’s possible, and countless books, TV shows, movies, and video games have proven that Greek mythology is just as popular today as it was thousands of years ago.  So what are we waiting for?

    Stephen Monteith is the founder of Fourth-day Universe.  Aside from writing proposals for TV shows that may never happen (but should), he writes short stories and novels which you can purchase at his Lulu page, and various freebie stories at his Yahoo! Contributor page.


  • Cabin in the Woods: Punishing a Genre

    The enigmatic Cabin is definitely not what it seems...

    The cinematic horror genre gets viciously deconstructed in this very meta film

    People either seem to love or to hate Joss  Whedon and Drew Goddard’s latest film.  Those who hate it point towards the odd shifts in tone and (especially) to the coda and ending, which (taken out of context) seem to make ridiculously little sense.

    But one could say that about the coda of almost every film ever made.

    “Dorothy woke up and it was all a dream!”

    “Verbal gets into a car with the man he claimed was blackmailing him earlier!”

    “Every cherry blossom on that tree is perfect!”

    “Eyes bulging, Norma walks directly towards the camera!”

    Taken out of context, none seem very effective, do they?I’ll just say that if you understand the point of the movie, then the ending not only makes perfect sense, it’s the perfect ending.  There must be no chance of a sequel.  No excuse for the film or  audience to think this pattern is justified in existing any longer.

    From start to finish, this is a scathing indictment of the sad, sorry state of modern big budget Hollywood horror.  There’s no suspense, all outcomes are predetermined.  There’s no real fear from the monsters … all are just means to an end.  There’s no connection with or concern for the leads-all are forced to be little more than stereotypes.

    Hollywood is content to just repeat the same rituals, make the same motions over and over again, to appease the Evil Ones … in this case, the ticket-buyers who would scream and erupt in rage if forced to deal with horror that dares to be something other than a vehicle for torture porn.

    No more, say Joss and Drew.  And I join them in this chorus.  If Hollywood horror keeps trying to stave off financial apocalypse with empty ritual, then it isn’t worth saving to begin with.

    No real spoilers, just if you ever do get to see this, I think you’ll dig it.

    If I have a problem with their vicious and very meta deconstruction, it’s that in deriding certain elements, they also feel the need to wallow in those elements.  That’s rather akin to giving a five year old a box of Double Stuff Oreos, then chewing them out for being such a pig.  Giving scenes of gratuitous nudity and pointless, cartoonish gore while pointing out such things really are lame?  Well, that works to undercut the message.

    On the other hand, there are some real gems of humor throughout, giving relief for the more unpleasant parts of this tour of cinematic horror’s rotting underbelly.  There’s a speaker phone conversation to end all speaker phone conversations.  There’s “barter gas”.   There’s a wicked aside on J-horror.  There’s even a certain famous actress cameo I swear you’ll never see coming!

    Joss and Drew aren’t here to reinvigorate and revive the horror film.  But they sure have fun ripping it apart.  Perhaps someone will be inspired to build something new on the Cabin’s foundation …


  • Questions about the Apocalypse: Alien Invasion Edition

    The first step in preparing for the apocalypse is to educate yourself.  Every month, we’ll provide the answers to the most important questions about how to survive the coming calamity; or, alternately, if you don’t expect to survive, we’ll tell you what you can do to fill your final days.

     

    April is Alien Invasion Month.  I know it seems we covered this already, but that was about aliens blowing up the whole planet, while this is about invading/conquering/enslaving the human race.  Some of these answers will seem similar to last month’s spotlight, but don’t worry; we have plenty of fresh pearls of wisdom this month.

     

    Why - Why do aliens want to invade the Earth?  Why did the United States spread to the west coast when there were already people living there?  For that matter, why did England establish colonies instead of simply asking the Native Americans for permission to visit?  Why did Caesar come, see, and conquer?  Attila the Hun, Genghis Khan, Alexander the Great, human history is replete with conquerers.  Are we to expect aliens to be different simply because they’re smart enough to travel faster and farther than we can?  That’s a prime difference between the conquerer and the conquered, after all.

     

    So, yeah, somewhere out there, there’s a race of aliens who are just looking for a planet to conquer and remake in their image.  We may survive that, but more likely, we won’t.  That’s what makes this an “apocalypse” scenario.

     

    What - What will they do with us?  Odds are, our world won’t be completely compatible with their physiology, so a bit of terraforming will be in order.  We’ll likely die from all the chemicals they’ll introduce into the atmosphere to allow themselves to breathe freely, but there is a definite chance the human race could adapt to the new conditions; some of us, anyway.  Or, maybe they’ll preserve some of us as slave labor to rebuild the Earth according to their own specifications.  Either way, there’s a chance we’ll rise again.

     

    How - How will we “rise again”?  Like we said the last time we discussed alien invasions, if there is even the tiniest remnant of the human race left after the invasion, then we’ll create a resistance.  We’ll seize their technology, adapt our own weaponry, throw them off our planet, and then use what they’ve left behind to come out even stronger than we were before.  We may even take a victory lap, fly out to their homeworld, and destroy them in retaliation, and to send a message to the rest of the galaxy that they do not want to see what happens when humans find a way off this planet.  After all we’ve done to ourselves over the last ten thousand years, can any of you imagine what we’d do to people of another species?  Especially if they started it?  Sure, they’d annihilate us in the beginning, but after a generation or ten, we’d get payback with interest.  To quote one of the more famous aliens to ever visit the Earth (in fiction, of course):

     

    “I gave them the wrong warning. I should have told them to run, as fast as they can. Run and hide, because the monsters are coming – the human race.” – The Doctor

     

    Who - The most important question in this kind of apocalypse is “Who are you?”  Yes, you, the one reading these words.  What kind of person are you?  This apocalypse scenario is one of war.  Those of you who’ve fought in wars have some idea of how you’ll react to this, but most people haven’t.  I certainly haven’t, and I have no idea how I’d react in a kill-or-be-killed situation.  Another quote dealing with alien invasions and how humanity may respond (a slightly more positive view) comes from the movie Independence Day:

     

    “Mankind.” That word should have new meaning for all of us today. We can’t be consumed by our petty differences anymore. We will be united in our common interests. Perhaps it’s fate that today is the Fourth of July, and you will once again be fighting for our freedom; not from tyranny, oppression, or persecution, but from annihilation. We are fighting for our right to live; to exist. And should we win the day, the Fourth of July will no longer be known as an American holiday, but as the day the world declared in one voice: “We will not go quietly into the night!” We will not vanish without a fight! We’re going to live on! We’re going to survive! Today we celebrate our Independence Day! – President Whitmore

     

    So, who are you:  a monster, or a hero?  Either way, you’ve got a good shot at surviving this particular apocalypse.  The human race has a lot of potential, for both great and terrible things.  When given enough time and space, we find the patience to pursue the great; but when pushed sharply enough and in the right (wrong) place, our capacity for the terrible can be truly frightening.  Who knows how we’d respond to an alien invasion?  My guess is as good as yours, and I say, if the aliens come to destroy Earth, then they’d better be prepared for mutual assured destruction, because that’s just as likely to happen as anything.  We’ve been at war with ourselves for millenia; I think, not very deep inside us at all, we’re just itching to take that war to the rest of the galaxy.  Maybe all we need is an excuse.

     

    Of course, if I’m right, then it may explain why we haven’t been invaded already.  Maybe aliens aren’t that stupid, after all.

     

    Stephen Monteith looks forward to the end of the world, because he optimistically chooses to see each end as another beginning.  You can read his words elsewhere on the web on Yahoo! and buy copies of his ebooks on Lulu.


  • River in the Air

    Okay, more like a rivulet.  With a hattip to Gizmodo, we see this man who has learned the secret of making water stand still in the air.  No, it isn’t frozen; or, more precisely, it is, but not because its temperature has dropped to icy levels.  You see, MrBibio, as he’s known on YouTube, has created an illusion using soundwaves and a highspeed digital camera:

     

     

    What he’s done is essentially created a stop-motion film.  His camera is synced perfectly with the frequency of the soundwaves permeating the water droplets, so that every time the waves pulse, the camera captures it.  It’s not entirely original, but it is still pretty awesome.

     


  • Second Annual Uni Awards, Video Game Edition – Polls

    Posted on by admin Comment

    Aside from sports games and (some) battle-themed games, video games have pretty much always been rooted in sci-fi/fantasy.  Ghosts, dragons, gorillas throwing barrels, and many, many other fantastical elements have been staples in video games for decades.  2011 brought us a slew of highly imaginative sci-fi/fantasy-themed games that are true heirs to the earliest efforts in this medium.

     

    A note about the Best Video Game Universe category:  The “universe” of the game is not judged solely on the world that the characters inhabit or how imaginative it is.  Take the graphics, the music, the voice acting, and the overall emotional effect of the game into account as you vote for your favorites in this category.

     


  • You May Have Missed This: Battle Beyond the Stars

    Today is the 86th birthday of the incomparable Roger Corman, a man who has produced, directed, written, and/or starred in over four hundred films from the early 1950s even to today.  You may recognize some of the titles:  The Little Shop of Horrors, The St. Valentine’s Day Massacre, the original The Fast and the Furious movie, and the more recent Death Race.  While his list of awards is more honorary than anything, no one can deny the effect he’s had on countless actors, directors, producers, and, of course, fans over the decades.  For this installment of You May Have Missed This, we bring you Roger Corman’s Battle Beyond the Stars.

     

     Battle is Corman’s contribution to the space opera genre.  It’s derivative of Star Wars in some ways, but it is directly based on Akira Kurosawa’s The Seven Samurai and its Western-themed adaptation The Magnificent Seven.  (We featured this movie in our list of 10 Best Sci-fi Western Movies on our Facebook page last summer because of that.)  Indeed, veteran screen actor Robert Vaughn played much the same character in both Battle and The Magnificent Seven.  He’s one of several ship captains who is recruited to defend a colony against the evil tyrant Sador (John Saxon, A Nightmare on Elm Street).  George Peppard (The A-Team) plays a character simply known as the Cowboy from the planet Earth (“Ever hear of it?”).  In addition, there are several alien faces that add a fantastical flavor to this space opera.  And The Waltons‘ Richard Thomas plays the simple farmboy colonist who enlists their help.

     

    Battle wasn’t the most profound of films, but it did have a lot going for it.  In addition to several A-list actors turning in great performances, the alien races depicted were compelling enough on their own.  The Nestor, for example, are a race that think and feel as one singular body; not like the Borg on Star Trek, but still menacing in their own way.  “Cayman of the Lambda Zone”, played by Morgan Woodward, is a lizard-like Lazuli, whose people were all but wiped out by Sador, so Cayman is only too thrilled to fight against him.  And stunning screen actress Sybil Danning plays Saint-Exmin, a Valkyrie who insists on joining the colonists, even though her ship is the smallest in their ragtag fleet and has no weapons.

     

    The special effects are fairly rudimentary, even for 1980 when this film was made, but it’s still a decent effort (due in no small part to the efforts of James Cameron, very early in his career).  The plot, as I said, is derivative, but it still works, especially in this futuristic setting.  And the dialogue is excellent.  John Sayles’ screenplay is full of memorable quotes.  Though many are humorous ones, such as when the Cowboy tries to introduce hot dogs to the Nestor, the villain Sador gets probably the best line in the movie:

     

    “No life ends until all the lives that it has touched are ended; until all the good that it has done is gone.”

     

    Battle Beyond the Stars may never be considered on the same level as Star Trek and Star Wars, but it holds its own.  With the plot, the dialogue, and the actors driving the story, it really rises above the standard sci-fi B-movie fare.  And, of course, having Roger Corman at the helm didn’t hurt at all.

     

    Stephen Monteith is the founder of Fourth-day Universe.  When he’s not feeling nostalgic for old sci-fi movies (and sometimes even when he is), he’s writing his own sci-fi/fantasy stories which you can read on Yahoo! and at Lulu.com.


  • Wrath of the Titans: All Plot, No Characters

    Now, I actually liked the remake of Clash of the Titans better than the original, as I’ve written before.  Though the plots were very similar, I felt the characters had better development and motivation in the remake.  Unfortunately, Wrath of the Titans takes a step backwards in that regard.

     

    Take Perseus, played again by Sam Worthington.  In the 1981 Clash, he was sort of a generic hero who sort of generically decided to save the world and marry Princess Andromeda.  In the remake, he’s given actual motivation for his actions.  He’s a half-man, half-god whose adopted human family was just killed and blames the gods for their deaths, and must reconcile his divine heritage with his desire to live as a man.  Whatever you may think of Worthington’s performance in the remade Clash, the effort was certainly made to give some depth to his character.

     

    In Wrath, however, he sort of falls back into his generic role as the “demi-god hero”.  Not for lack of trying, mind you.  They do give him a son and a half-brother (Ares, played by Édgar Ramírez), but neither they nor he spend much time onscreen developing themselves past their surface traits.  That’s a shame, too, because Ares, the God of War, could have been such an impressive character, especially since he betrays his father Zeus (Liam Neeson) to the Titan Kronos.  Instead, the God of War comes across as more than a little … whiny as he berates Zeus for being a bad father to him.  The rivalry between Ares and Perseus is never really explored, but you can’t imagine there being much to explore given that Ares actually lives with Zeus on Mount Olympus and Perseus lives as a human with his son and didn’t even like Zeus all that much in the last movie.  Why does Perseus seem so devoted to his father now?  Why does Ares seem to think Zeus has grown so close to his half-human son?  Those are two questions the movie never even tried to answer, but should have.

     

    Next on the list of underdeveloped (and underutilized) characters is the demi-god Agenor (played by Toby Kebbell), the son of Poseidon (Danny Huston).  We first meet Agenor in an Argos prison.  Apparently, he’s something of a master conman/thief/liar, but his father, the God of the Sea, trusts him and sends Perseus to enlist him in the fight between Olympians and Titans.  Agenor could, potentially, have been the most interesting character in the movie, as charming rogues with hearts of gold have a tendency to be.  However, we’re not given much of his backstory, which leaves us with the vague clichéd assumption that his father abandoned him, he turned to a life of crime and cons to survive, and the news of his father’s death has shaken him so that he’s decided to give being a good guy (for a price) another shot.  To be fair, hearing that a god has died would make anyone stop and think; and it gives us one of the better exchanges in the movie:

     

    Agenor:  Gods don’t die.

    Perseus:  They do now.

     

     

    You see, it’s not that this is a bad movie.  The dialogue, for the most part, is actually pretty good.  The plot, while it’s more akin to epic fantasy than traditional Greek myths, is an interesting one.  And the settings and special effects are, quite frankly, spectacular.  The labyrinth that leads into Tartarus, where Zeus is being slowly drained of his life force so that Kronos can be freed of his prison, is an incredible shifting stone maze.  The creature effects, especially the Chimera and the Makhai, are stunning and even fairly realistic.  But the movie revolves entirely around the plot, which is a fairly basic one and even mirrors the plot of the 2010 movie.  The characters are just going through the motions, like a puppet show with really good visuals.  I understand that, at nearly two hours in length, it could hardly take more time for character development, but there are ways they could have gotten around that.

     

    I’d recommend this movie, personally.  It’s exhilirating, and at times quite hilarious.  For all that it has very little character development (and only one Titan), it’s still a good movie.  Keep your eyes open later this month for a “Wrath of the Titans According to Fourth-day” treatment on how it could have been better.

     

    Only one of these is a Titan, but all of them are awesome.

     
    Stephen Monteith is the founder of Fourth-day Universe.  When he’s not watching movies about gods and creatures that never existed, he’s writing stories about them, which you can read at his Yahoo! and Lulu pages.

  • The Weather Man

     

     

    “I wonder what it’s like to know that I made the rain.” – Rob Thomas

     

    Science fiction and fantasy are full of men and women trying to control the weather, through technology or magic.  Thunderstorms, tidal waves, tornadoes, or even just trying to keep it nice and sunny for one afternoon.  It could be a magician taking on an army singlehandedly with a little help from the elements, or a supervillain trying to take over the world with a diabolical weather machine.  Or, you know, it could be an artist with a smoke machine and a really good eye.
     
    With a hattip to Mother Nature Network, we present Dutch artist Berndnaut Smilde.  It does take a little more than a puff of smoke to make an indoor cloud, of course.  Smilde has to monitor temperature, humidity, and, of course, lighting to create the perfect illusion.  He can’t make it rain (so far), but he has made quite a few other stunning works, which you can find at his website.


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